Friday, August 29, 2008
Saturday, August 09, 2008
Thursday, April 24, 2008
Wedding at Cana I
Acrylic on circular canvas
12 x 12 inches
This artwork depicts a particular room and its furnishings in Dublin Castle. The Virgin Mary whispers to Christ, who wears a red robe, that the wine has run out. Mary’s opaque white skin and robes are based on descriptions of her Apparition at Knock in Ireland in 1879. One of the ceremony’s servants, a contemporary priest, brings the new, miraculous wine to the praying couple. The miracle at Cana foreshadows of the miracle of the Eucharist, which beautifully intertwines the communion of Marriage and the communion of the Eucharist.
(*special thanks to my friends Pat and Paula Reynolds for modeling for this painting)
Wedding at Cana II
Acrylic on oval canvas
24 x 18 in.
(*please see text accompanying "Wedding at Cana I)
(*please see text accompanying "Wedding at Cana I)
Thursday, March 13, 2008
Unbinding Lazarus III
Acrylic on canvas
7 x 9 in.
2008
These three paintings titled "Unbinding Lazarus" are based on the preceding black and white "Lazarus" series and they portray another allegorical interpretation of the unbinding of Lazarus. Mary and Martha are depicted as two small, elderly nuns praying for their younger brother. Christ watches over the scene, gesturing for silence and peace. A woman, perhaps a personification of healing grace, unbinds Lazarus in a dark pool. This pool is a symbol for the tomb, and is also a reference to the origins of the name Dublin, “Dubh Linn,” or “dark pool.” A large dark lake was once located in this part of Dublin.
(*please see the text accompanying the black and white "Lazarus" paintings in the next posts, for more information on the symbolism and historical information related to these three pieces)
These three paintings titled "Unbinding Lazarus" are based on the preceding black and white "Lazarus" series and they portray another allegorical interpretation of the unbinding of Lazarus. Mary and Martha are depicted as two small, elderly nuns praying for their younger brother. Christ watches over the scene, gesturing for silence and peace. A woman, perhaps a personification of healing grace, unbinds Lazarus in a dark pool. This pool is a symbol for the tomb, and is also a reference to the origins of the name Dublin, “Dubh Linn,” or “dark pool.” A large dark lake was once located in this part of Dublin.
(*please see the text accompanying the black and white "Lazarus" paintings in the next posts, for more information on the symbolism and historical information related to these three pieces)
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